While Ana de Armas does an amazing job capturing the essence of Marilyn Monroe in Netflix’s drama film blondcan’t tell the story of the film that it offers De Armas the same courtesy. blondIts release on the streaming service has met with mixed reactions, with director and screenwriter Andrew Dominik classifying the film as “anti-biopicfor its fictional portrayal of the life of actress Marilyn Monroe. But amid all the controversy over whether the movie was good or bad, there’s one thing that unites all the commentary: blond is Ana de Armas’ amazing portrayal of the Hollywood star.
Based on Joyce Carol Oates’ novel of the same name, Dominik’s blond delivers a visually disturbing watch through its shifting frames from color to black and white and haphazard implementation of four different aspect ratios that conform to popular culture’s blonde bombshell iconography. Includes the significant strokes of Marilyn Monroe’s flourishing career and glimpses into her troubled life as Norma Jeane Mortenson, Blades off actress Ana de Armas transforms into the 1950s icon, dramatizing her life down to imprecise detail. blond‘s Look at Marilyn Monroe has received divisiveness, with the most common complaint being the victimization of the movie Monroe and the most common praise the performance of De Armas.
Despite blond riddled with misogynistic undertones, the lead actress penetrates and makes a lasting impression on audiences, giving the film a saving grace. Ana de Armas stars as Marilyn Monroe and embodies the sultry and captivating persona, so much so that the film becomes unworthy of her performance. Given that blonde story comes with a limited lens, De Armas is sadly limited by the adamant presentation of Marilyn Monroe’s fame and the abusive consequences in the film.
Marilyn Monroe’s performance of Ana De Armas is really great
It takes a great talent to step into someone else’s skin and radiate their essence onto the screen and Ana de Armas did just that in blond. Like any actor filming a biopic, the Armas went through a rigorous process of turning into Norma Jeane’s screen alter ego, Marilyn Monroe. While filming for the first time Blades off movie, de Armas began her preparation to become Monroe (via Variety) between takes and aftershoots. Working closely with an accent coach, De Armas spent hours on end trying to nail Monroe’s voice and accent, while simultaneously working to mask her native Cuban, as English is not her first language. De Armas was obsessed with Monroe’s filmography, taped interviews, and other media she could find on the Internet, realizing that mimicking Monroe’s movements wouldn’t be enough for a film of this ambition; rather, it was necessary to understand the late actress on a deeper level to do justice to the role.
Even if you’re filming for blond started, the No time to die The actress’s dedication knew no bounds as she played Monroe’s movies and songs repeatedly during her breaks and makeup sessions, completely internalizing the character as her own. Director Dominik also had a behind-the-scenes crew wearing a historic wardrobe and continually filmed the Armas separately from the actual shooting, encouraging her to keep her Marilyn Monroe character, adding to the overall effect that too. see is in the final version of blond. Of course, with such a methodical process, de Armas had to create a beautiful portrait of Monroe that exceeded all expectations. Ana de Armas’ evocation of Marilyn Monroe exudes her quintessence. And while her portrayal of the Hollywood starlet isn’t perfect, it does hold Marilyn’s mind.
The Blonde’s Marilyn Monroe Story Has Many Problems
While biopics are never really 100% accurate and are often made for entertainment, Dominik’s film goes one step further by tagging blond‘s Marilyn Monroe story as a reversal of the traditional biopic and a spectacle of Monroe’s dark chapters. Going through a significant number of events in its nearly three-hour runtime, blond visualizes Marilyn Monroe’s internal monologue at a disadvantage. It frames the story in such a way that it victimizes Marilyn Monroe as someone who allows things to happen to her without apparent disagreement or struggle. The stunning visual opus means to portray Marilyn’s inner turmoil from within, but it does her (and Ana de Armas) a disservice by delivering passivity from the central character.
Let alone blond‘s blatant concoction of completely imagined (and graphically violent) interactions between Marilyn Monroe and her other real-life contemporaries. This includes Monroe’s fictional throuple relationship with Cass Chaplin and Eddy Robinson; although the actress was rumored to have caught up with both men, there is no basis that they were all involved together. In addition, the detailed abortion scene (although it was plausible that it happened for a woman of her fame and fortune status) also contained no concrete evidence that it actually happened. While these are just two of many inconsistencies between blond and real life, the movie has some issues that could have been changed if only Marilyn Monroe’s heart had been thought of blond‘s production. Admittedly, blond was created as a dreamscape-style narration, akin to recalling memories, and the decision to traverse Norma Jeane’s short life through the lens of her abusers erases any sense of who Marilyn Monroe was.
Marilyn Monroe from Ana De Armas could have been even better
Despite the rave reviews of Ana de Armas’ Marilyn Monroe role, blond could have been better. The biopic film genre is burdened with a formula that is a little bland for most audiences, leaning towards historical narrative as opposed to intrigue and drama, which significantly blond‘s creative freedoms justified, in a sense. However, it doesn’t change the fact that biopics are based on real people, requiring a delicacy in their execution to ensure they pay tribute to their real-life counterparts, honoring their legacies rather than monetizing them for the sake of cheap exploitation. . blond Ana de Armas’ Marilyn Monroe fails by diminishing the character’s direct impact in the overall story, making her fixate as a recipient of actions rather than an actor with definite wants and needs.
blondrobs tonal limitation Deep waterAna de Armas room to perform the nuances of Monroe’s life that would have given a bigger picture of who she was. Instead, the feature focuses primarily on Marilyn’s painful anecdotes and obscures the mood of supposedly happy, resulting in blond without any empathy for the subject. While blondIts aesthetic is commendable for undermining the film’s structure, it eventually became its downfall by causing quasi-biased narration – stripping the story of a powerful icon by removing any semblance of agency and, ironically, turning her into her own. typing biopic.
